Freaks by Fisher cover art

Freaks

Fisher

30s preview

Key
3B · D♭ major
BPM
124
Open Key
8d
Energy
87/100
Pop
0/100
Length
2:55
Released
2020
Genre
Tech House
Loudness
-4.3 dB
Dynamics
10.3 dB
ISRC
QZA742002490

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Freaks runs 124 BPM in D♭ major (3B), a club-tempo tech house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of Fisher's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 84% of Fisher's catalogue
Brightness:
brighter than 82% of Fisher's catalogue
Energy:
hotter than 77% of Fisher's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood79Bright
Groove81
Acoustic0
Instrumental78
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Freaks in?

Freaks by Fisher is in D♭ major, or 3B on the Camelot wheel.

What BPM is Freaks?

Freaks runs at 124 BPM, a club-tempo track.

What mixes well with Freaks?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Freaks good for peak time?

With energy 87 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Fisher

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track