Evolve or Die - Matthias Tanzmann Remix by Hot Since 82 cover art

Evolve or Die - Matthias Tanzmann Remix

Hot Since 82

30s preview

Key
10A · B minor
BPM
124
Open Key
3m
Energy
87/100
Pop
0/100
Length
5:58
Released
2017
Album
Evolve or Die
Genre
Tech House
Loudness
-13.0 dB
Dynamics
10.4 dB
ISRC
DEX041700033

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 124 BPM), this version holds the same tempo in the same key.

Evolve or Die - Matthias Tanzmann Remix: club-tempo tech house, B minor (10A), 124 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Hot Since 82's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 97% of Hot Since 82's catalogue
Brightness:
brighter than 90% of Hot Since 82's catalogue
Groove:
groovier than 83% of Hot Since 82's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood75Bright
Groove81
Acoustic0
Instrumental92
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Evolve or Die - Matthias Tanzmann Remix in?

Evolve or Die - Matthias Tanzmann Remix by Hot Since 82 is in B minor, or 10A on the Camelot wheel.

What BPM is Evolve or Die - Matthias Tanzmann Remix?

Evolve or Die - Matthias Tanzmann Remix runs at 124 BPM, a club-tempo track.

What mixes well with Evolve or Die - Matthias Tanzmann Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Evolve or Die - Matthias Tanzmann Remix good for peak time?

With energy 87 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Hot Since 82

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track