Feeling High (Samu.l Remix)
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 88/100
- Pop
- 11/100
- Length
- 7:53
- Released
- 2017
- Album
- Feeling High, Pt. 1 (The Remixes)
- Genre
- Tech House
- Loudness
- -7.7 dB
- Dynamics
- 12.7 dB
- ISRC
- FRX201613845
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feeling High (PAWSA Remix)remix11B · 122
- Feeling Highoriginal9B · 123
- Feeling High - Los Suruba Dub in the Dark Mixversion3B · 122
- Feeling High - Sascha Dive's High Life Remixremix3A · 124
- Feeling High (Hugo Remix)remix10A · 123
Against the original (9B at 123 BPM), this version runs 1 BPM faster and moves the key from 9B to 3A.
A club-tempo tech house cut, Feeling High (Samu.l Remix) sits in B♭ minor (3A) at 124 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. Darker than 83% of Dennis Cruz's catalogue.
- Energy:
- hotter than 79% of Dennis Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Feeling High (Samu.l Remix) in?
Feeling High (Samu.l Remix) by Dennis Cruz is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Feeling High (Samu.l Remix)?
Feeling High (Samu.l Remix) runs at 124 BPM, a club-tempo track.
What mixes well with Feeling High (Samu.l Remix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Feeling High (Samu.l Remix) good for peak time?
With energy 88 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Dennis Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
