Keep on Triying
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 88/100
- Pop
- 1/100
- Length
- 8:03
- Released
- 2013
- Genre
- Tech House
- Loudness
- -8.5 dB
- Dynamics
- 8.8 dB
- ISRC
- GBKQU1382006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Keep on Triying sits in F minor (4A) at 124 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More bass-heavy than 92% of Dennis Cruz's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 82% of Dennis Cruz's catalogue
- Energy:
- hotter than 79% of Dennis Cruz's catalogue
- Groove:
- groovier than 79% of Dennis Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Keep on Triying in?
Keep on Triying by Dennis Cruz is in F minor, or 4A on the Camelot wheel.
What BPM is Keep on Triying?
Keep on Triying runs at 124 BPM, a club-tempo track.
What mixes well with Keep on Triying?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Keep on Triying good for peak time?
With energy 88 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Dennis Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
