Hallelujah - Angelo Ferreri Jackin Dope Mix
30s preview
- BPM
- 124
- Open Key
- 4m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 5:46
- Released
- 1996
- Album
- Hallelujah
- Genre
- Deep House
- Loudness
- -8.6 dB
- Dynamics
- 11.4 dB
- ISRC
- USA671700050
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hallelujah - Robosonic Remixremix1A · 124
- Hallelujah - Kaoz Club Mixversion3A · 124
- Hallelujahoriginal3A · 124
- Hallelujahoriginal3A · 124
- Hallelujah - 6:23 Beatsoriginal10A · 124
- Hallelujah - Angelo Ferreri Shatter Extended Mixversion1A · 124
A club-tempo deep house cut, Hallelujah - Angelo Ferreri Jackin Dope Mix sits in F♯ minor (11A) at 124 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 1996 production that still circulates in sets. Brighter than 99% of Kerri Chandler's catalogue.
- Reach:
- more underground than 99% of Kerri Chandler's catalogue
- Energy:
- hotter than 97% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Hallelujah - Angelo Ferreri Jackin Dope Mix in?
Hallelujah - Angelo Ferreri Jackin Dope Mix by Kerri Chandler is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Hallelujah - Angelo Ferreri Jackin Dope Mix?
Hallelujah - Angelo Ferreri Jackin Dope Mix runs at 124 BPM, a club-tempo track.
What mixes well with Hallelujah - Angelo Ferreri Jackin Dope Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Hallelujah - Angelo Ferreri Jackin Dope Mix good for peak time?
With energy 98 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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