Lost Jig by Masters At Work cover art

30s preview

Key
10A · B minor
BPM
124
Open Key
3m
Energy
98/100
Pop
8/100
Length
5:26
Released
2024
Album
MAW Lost Tapes 14
Genre
House
Loudness
-7.8 dB
Dynamics
8.7 dB
ISRC
GBKQU2400516

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 124 BPM in B minor (10A), Lost Jig is a club-tempo house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 97% of Masters At Work's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 81% of Masters At Work's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood48Balanced
Groove83
Acoustic0
Instrumental88
Live4
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Lost Jig in?

Lost Jig by Masters At Work is in B minor, or 10A on the Camelot wheel.

What BPM is Lost Jig?

Lost Jig runs at 124 BPM, a club-tempo track.

What mixes well with Lost Jig?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Lost Jig good for peak time?

With energy 98 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Masters At Work

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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