It's A Sin - Seamus Haji Edit
30s preview
- BPM
- 124
- Open Key
- 6m
- Energy
- 99/100
- Pop
- 9/100
- Length
- 2:54
- Released
- 2023
- Album
- It's A Sin (Seamus Haji Edit)
- Genre
- House
- Loudness
- -5.8 dB
- Dynamics
- 11.6 dB
- ISRC
- USMKQ2300059
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's A Sin - Seamus Haji Extended Editversion1A · 124
At 124 BPM in A♭ minor (1A), It's A Sin - Seamus Haji Edit is a club-tempo house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 98% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 88% of Todd Terry's catalogue
- Tempo:
- slower than 80% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is It's A Sin - Seamus Haji Edit in?
It's A Sin - Seamus Haji Edit by Todd Terry is in A♭ minor, or 1A on the Camelot wheel.
What BPM is It's A Sin - Seamus Haji Edit?
It's A Sin - Seamus Haji Edit runs at 124 BPM, a club-tempo track.
What mixes well with It's A Sin - Seamus Haji Edit?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is It's A Sin - Seamus Haji Edit good for peak time?
With energy 99 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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