Get Freaky - Leftwing & Kody Remix
30s preview
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 98/100
- Pop
- 1/100
- Length
- 7:00
- Released
- 2016
- Album
- Get Freaky
- Genre
- Tech House
- Loudness
- -6.7 dB
- Dynamics
- 10.7 dB
- ISRC
- ES94G1608303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Freakyoriginal9B · 123
Against the original (9B at 123 BPM), this version runs 1 BPM faster and moves the key from 9B to 8A.
Get Freaky - Leftwing & Kody Remix: club-tempo tech house, A minor (8A), 124 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Less groove-driven than 90% of Max Chapman's catalogue.
- Energy:
- hotter than 85% of Max Chapman's catalogue
- Tempo:
- slower than 76% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Get Freaky - Leftwing & Kody Remix in?
Get Freaky - Leftwing & Kody Remix by Max Chapman is in A minor, or 8A on the Camelot wheel.
What BPM is Get Freaky - Leftwing & Kody Remix?
Get Freaky - Leftwing & Kody Remix runs at 124 BPM, a club-tempo track.
What mixes well with Get Freaky - Leftwing & Kody Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Get Freaky - Leftwing & Kody Remix good for peak time?
With energy 98 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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