Don't Turn Your Back - Mendo Remix
30s preview
- BPM
- 124
- Open Key
- 7m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 6:19
- Released
- 2019
- Album
- Don't Turn Your Back
- Genre
- House
- Loudness
- -6.4 dB
- Dynamics
- 17.3 dB
- ISRC
- GBK6Y1913905
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Turn Your Back - Carl Cox 'ASW' Remixremix10A · 128
- Don't Turn Your Back - Carl Cox Remixremix9B · 130
- Don't Turn Your Back - Danny Tenaglia's Paradise Mixoriginal10A · 124
- Don't Turn Your Back - Harry Romero Remixremix1A · 126
Against the original (10A at 124 BPM), this version holds the same tempo and moves the key from 10A to 2A.
Don't Turn Your Back - Mendo Remix runs 124 BPM in E♭ minor (2A), a club-tempo house record. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). Hotter than 99% of Danny Tenaglia's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Danny Tenaglia's catalogue
- Low end:
- more treble-tilted than 98% of Danny Tenaglia's catalogue
- Groove:
- groovier than 82% of Danny Tenaglia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Don't Turn Your Back - Mendo Remix in?
Don't Turn Your Back - Mendo Remix by Danny Tenaglia is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Don't Turn Your Back - Mendo Remix?
Don't Turn Your Back - Mendo Remix runs at 124 BPM, a club-tempo track.
What mixes well with Don't Turn Your Back - Mendo Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Don't Turn Your Back - Mendo Remix good for peak time?
With energy 98 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 124 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Danny Tenaglia
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
