Don't Turn Your Back - Carl Cox 'ASW' Remix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2019
- Album
- Don't Turn Your Back
- Genre
- House
- Loudness
- -8.4 dB
- Dynamics
- 12.0 dB
- ISRC
- GBK6Y1913904
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Turn Your Back - Carl Cox Remixremix9B · 130
- Don't Turn Your Back - Danny Tenaglia's Paradise Mixoriginal10A · 124
- Don't Turn Your Back - Harry Romero Remixremix1A · 126
- Don't Turn Your Back - Mendo Remixremix2A · 124
Against the original (10A at 124 BPM), this version runs 4 BPM faster in the same key.
Don't Turn Your Back - Carl Cox 'ASW' Remix: peak-time tempo house, B minor (10A), 128 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Danny Tenaglia's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 84% of Danny Tenaglia's catalogue
- Tempo:
- faster than 78% of Danny Tenaglia's catalogue
- Groove:
- groovier than 78% of Danny Tenaglia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Don't Turn Your Back - Carl Cox 'ASW' Remix in?
Don't Turn Your Back - Carl Cox 'ASW' Remix by Danny Tenaglia is in B minor, or 10A on the Camelot wheel.
What BPM is Don't Turn Your Back - Carl Cox 'ASW' Remix?
Don't Turn Your Back - Carl Cox 'ASW' Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Don't Turn Your Back - Carl Cox 'ASW' Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Don't Turn Your Back - Carl Cox 'ASW' Remix good for peak time?
With energy 77 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Danny Tenaglia
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
