
310-FUNK - Original Mix
30s preview
- Key
- 1B · B major
- BPM
- 124
- Open Key
- 6d
- Energy
- 97/100
- Pop
- 1/100
- Length
- 7:18
- Released
- 2013
- Album
- 310-FUNK
- Genre
- Progressive House
- Loudness
- -6.0 dB
- Dynamics
- 10.8 dB
- ISRC
- CAQ221300010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in B major (1B), 310-FUNK - Original Mix is a club-tempo progressive house production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Hotter than 93% of Simon Doty's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 87% of Simon Doty's catalogue
- Reach:
- more underground than 78% of Simon Doty's catalogue
- Low end:
- more bass-heavy than 77% of Simon Doty's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is 310-FUNK - Original Mix in?
310-FUNK - Original Mix by Simon Doty is in B major, or 1B on the Camelot wheel.
What BPM is 310-FUNK - Original Mix?
310-FUNK - Original Mix runs at 124 BPM, a club-tempo track.
What mixes well with 310-FUNK - Original Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is 310-FUNK - Original Mix good for peak time?
With energy 97 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 124 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Simon Doty
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.