Stand Up - Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 3:44
- Released
- 2018
- Album
- Candy (Radio Edit)
- Genre
- Tech House
- Loudness
- -4.9 dB
- Dynamics
- 10.6 dB
- ISRC
- FR59R1813942
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stand Up - Radio Edit runs 124 BPM in A minor (8A), a club-tempo tech house record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2018 production that still circulates in sets. More underground than 99% of Danny Howard's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 91% of Danny Howard's catalogue
- Tempo:
- slower than 86% of Danny Howard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Stand Up - Radio Edit in?
Stand Up - Radio Edit by Danny Howard is in A minor, or 8A on the Camelot wheel.
What BPM is Stand Up - Radio Edit?
Stand Up - Radio Edit runs at 124 BPM, a club-tempo track.
What mixes well with Stand Up - Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Stand Up - Radio Edit good for peak time?
With energy 98 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Danny Howard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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