Flatline by Wilkinson cover art

Flatline

Wilkinson

30s preview

Key
12A · D♭ minor
BPM
124
Open Key
5m
Energy
96/100
Pop
3/100
Length
5:34
Released
2016
Genre
Drum N Bass
Loudness
-4.5 dB
Dynamics
12.1 dB
ISRC
GBBZH1500324

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Flatline runs 124 BPM in D♭ minor (12A), a club-tempo drum n bass record. It reads as bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Brighter than 97% of Wilkinson's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 96% of Wilkinson's catalogue
Tempo:
slower than 89% of Wilkinson's catalogue
Energy:
hotter than 80% of Wilkinson's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood77Bright
Groove69
Acoustic5
Instrumental2
Live41
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Flatline in?

Flatline by Wilkinson is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Flatline?

Flatline runs at 124 BPM, a club-tempo track.

What mixes well with Flatline?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Flatline good for peak time?

With energy 96 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More drum n bass

More from Wilkinson

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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