Something About You - Adrian Hour Remix
30s preview
- BPM
- 124
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 5:15
- Released
- 2015
- Album
- Junto Remixed
- Genre
- House
- Loudness
- -4.6 dB
- Dynamics
- 13.0 dB
- ISRC
- GBPVV1501134
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Something About Youoriginal9B · 170
Against the original (9B at 170 BPM), this version runs 46 BPM slower and moves the key from 9B to 10A.
Something About You - Adrian Hour Remix is a club-tempo house track in B minor (10A) at 124 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of Basement Jaxx's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 90% of Basement Jaxx's catalogue
- Tempo:
- slower than 83% of Basement Jaxx's catalogue
- Brightness:
- brighter than 82% of Basement Jaxx's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Something About You - Adrian Hour Remix in?
Something About You - Adrian Hour Remix by Basement Jaxx is in B minor, or 10A on the Camelot wheel.
What BPM is Something About You - Adrian Hour Remix?
Something About You - Adrian Hour Remix runs at 124 BPM, a club-tempo track.
What mixes well with Something About You - Adrian Hour Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Something About You - Adrian Hour Remix good for peak time?
With energy 96 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Operator (Ring Ring) [feat. Dances With White Girls] by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/f0b3c5da303be6a4142e.webp){kind=small}
How to mix it
In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Basement Jaxx
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
