The Final Trip
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 5:46
- Released
- 2013
- Album
- Satisfy
- Genre
- House
- Label
- Feel My Bicep
- Loudness
- -6.0 dB
- Dynamics
- 11.4 dB
- ISRC
- GBVHV0800384
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Final Triporiginal10B · 123
The Final Trip is a club-tempo house track in D major (10B) at 123 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. More underground than 99% of Bicep's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 97% of Bicep's catalogue
- Brightness:
- brighter than 79% of Bicep's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Final Trip in?
The Final Trip by Bicep is in D major, or 10B on the Camelot wheel.
What BPM is The Final Trip?
The Final Trip runs at 123 BPM, a club-tempo track.
What mixes well with The Final Trip?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The Final Trip good for peak time?
With energy 100 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Bicep
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
