Bad Man - Radio Edit by Franky Wah cover art

Bad Man - Radio Edit

Franky Wah

Key
11A · F♯ minor
BPM
124
Open Key
4m
Energy
94/100
Pop
0/100
Length
3:56
Released
2018
Album
Bad Man
Genre
Progressive House
Loudness
-6.5 dB
ISRC
GBHAD1800962

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (12A at 124 BPM), this version holds the same tempo and moves the key from 12A to 11A.

At 124 BPM in F♯ minor (11A), Bad Man - Radio Edit is a club-tempo progressive house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. More underground than 99% of Franky Wah's catalogue. For programming, treat it as a peak-time weapon.

Groove:
groovier than 96% of Franky Wah's catalogue
Energy:
hotter than 82% of Franky Wah's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood61Balanced
Groove81
Acoustic0
Instrumental74
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Bad Man - Radio Edit in?

Bad Man - Radio Edit by Franky Wah is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Bad Man - Radio Edit?

Bad Man - Radio Edit runs at 124 BPM, a club-tempo track.

What mixes well with Bad Man - Radio Edit?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Bad Man - Radio Edit good for peak time?

With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More progressive house

More from Franky Wah

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track