On the Line
30s preview
- Key
- 1B · B major
- BPM
- 124
- Open Key
- 6d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:26
- Released
- 2021
- Genre
- House
- Loudness
- -10.3 dB
- Dynamics
- 11.7 dB
- ISRC
- FRX202107667
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
On the Line is a club-tempo house track in B major (1B) at 124 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Ashibah's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 86% of Ashibah's catalogue
- Brightness:
- brighter than 86% of Ashibah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is On the Line in?
On the Line by Ashibah is in B major, or 1B on the Camelot wheel.
What BPM is On the Line?
On the Line runs at 124 BPM, a club-tempo track.
What mixes well with On the Line?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is On the Line good for peak time?
With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
![No Drama [James Hype VIP mix extended] by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cd9f05e6416537babf2e.webp){kind=small}
How to mix it
In 1B at 124 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
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Full profile
![Make It Better [ZAC & BAKKA (BR) Remix] by Ashibah cover art](https://i.scdn.co/image/ab67616d00001e02d65b70a6fc2215876ff53ec4){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
