Falling - Extended Mix
30s preview
- BPM
- 124
- Open Key
- 7d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:35
- Released
- 2019
- Album
- Falling EP
- Genre
- Tech House
- Loudness
- -9.9 dB
- Dynamics
- 11.7 dB
- ISRC
- GBJAJ1901695
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fallingoriginal3B · 124
Against the original (3B at 124 BPM), this version holds the same tempo and moves the key from 3B to 2B.
Falling - Extended Mix: club-tempo tech house, F♯ major (2B), 124 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Anthony Attalla's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 87% of Anthony Attalla's catalogue
- Low end:
- more bass-heavy than 75% of Anthony Attalla's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Falling - Extended Mix in?
Falling - Extended Mix by Anthony Attalla is in F♯ major, or 2B on the Camelot wheel.
What BPM is Falling - Extended Mix?
Falling - Extended Mix runs at 124 BPM, a club-tempo track.
What mixes well with Falling - Extended Mix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Falling - Extended Mix good for peak time?
With energy 92 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 124 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
![No Drama [VIP mix] by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cd9f05e6416537babf2e.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
