Dorian Gray - Funk D'Void Remix
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:17
- Released
- 2013
- Album
- Omakase (Remixed Part #2)
- Genre
- Techno
- Loudness
- -6.9 dB
- Dynamics
- 9.5 dB
- ISRC
- GRKM11300443
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dorian Grayoriginal3A · 124
Against the original (3A at 124 BPM), this version holds the same tempo and moves the key from 3A to 4A.
Dorian Gray - Funk D'Void Remix runs 124 BPM in F minor (4A), a club-tempo techno record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Brighter than 99% of Christian Smith's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Christian Smith's catalogue
- Tempo:
- slower than 94% of Christian Smith's catalogue
- Energy:
- hotter than 87% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Dorian Gray - Funk D'Void Remix in?
Dorian Gray - Funk D'Void Remix by Christian Smith is in F minor, or 4A on the Camelot wheel.
What BPM is Dorian Gray - Funk D'Void Remix?
Dorian Gray - Funk D'Void Remix runs at 124 BPM, a club-tempo track.
What mixes well with Dorian Gray - Funk D'Void Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Dorian Gray - Funk D'Void Remix good for peak time?
With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
