Dorian Gray
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 7:01
- Released
- 2013
- Album
- Omakase
- Genre
- Techno
- Loudness
- -9.9 dB
- Dynamics
- 8.7 dB
- ISRC
- GRKM11300083
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dorian Gray - Funk D'Void Remixremix4A · 124
Dorian Gray is a club-tempo techno track in B♭ minor (3A) at 124 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Christian Smith's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 95% of Christian Smith's catalogue
- Tempo:
- slower than 94% of Christian Smith's catalogue
- Energy:
- calmer than 86% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Dorian Gray in?
Dorian Gray by Christian Smith is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Dorian Gray?
Dorian Gray runs at 124 BPM, a club-tempo track.
What mixes well with Dorian Gray?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Dorian Gray good for peak time?
With energy 64 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
