The Myths of You
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 63/100
- Pop
- 9/100
- Length
- 7:26
- Released
- 2017
- Genre
- Tech House
- Loudness
- -12.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Myths Of Youoriginal4A · 124
The Myths of You runs 124 BPM in F minor (4A), a club-tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Darker than 89% of Tim Engelhardt's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Myths of You in?
The Myths of You by Tim Engelhardt is in F minor, or 4A on the Camelot wheel.
What BPM is The Myths of You?
The Myths of You runs at 124 BPM, a club-tempo track.
What mixes well with The Myths of You?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is The Myths of You good for peak time?
With energy 63 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
