The Beach by Marcus Meinhardt cover art
Key
12A · D♭ minor
BPM
124
Open Key
5m
Energy
63/100
Pop
0/100
Length
7:18
Genre
Tech House
Loudness
-10.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo tech house cut, The Beach sits in D♭ minor (12A) at 124 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The timbre leans dark. The master keeps real dynamic headroom. More underground than 99% of Marcus Meinhardt's catalogue. In a set it works best as a mid-set roller.

Brightness:
darker than 96% of Marcus Meinhardt's catalogue
Groove:
groovier than 85% of Marcus Meinhardt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood4Dark
Groove81
Acoustic0
Instrumental91
Live8
Speech8
darkpartyvoice

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Beach in?

The Beach by Marcus Meinhardt is in D♭ minor, or 12A on the Camelot wheel.

What BPM is The Beach?

The Beach runs at 124 BPM, a club-tempo track.

What mixes well with The Beach?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is The Beach good for peak time?

With energy 63 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Marcus Meinhardt

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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