Walls - Guy Gerber's Office Sex Remix
30s preview
- BPM
- 124
- Open Key
- 5d
- Energy
- 65/100
- Pop
- 0/100
- Length
- 9:45
- Released
- 2015
- Album
- Walls (Bonus Tracks Version)
- Genre
- Tech House
- Loudness
- -9.1 dB
- Dynamics
- 10.9 dB
- ISRC
- DEQ121534017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Walls (Original Mix)original10A · 120
- Walls - Valiete Remixremix10A · 121
- Wallsoriginal10A · 124
- Walls - Josh Wink's Eyes Closed Interpretationoriginal10A · 123
- Walls - Moby Remixremix9A · 122
- Walls - Moby Remix [Radio Edit]remix9A · 122
Against the original (10A at 120 BPM), this version runs 4 BPM faster and moves the key from 10A to 12B.
At 124 BPM in E major (12B), Walls - Guy Gerber's Office Sex Remix is a club-tempo tech house production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Monkey Safari's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 91% of Monkey Safari's catalogue
- Brightness:
- brighter than 85% of Monkey Safari's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Walls - Guy Gerber's Office Sex Remix in?
Walls - Guy Gerber's Office Sex Remix by Monkey Safari is in E major, or 12B on the Camelot wheel.
What BPM is Walls - Guy Gerber's Office Sex Remix?
Walls - Guy Gerber's Office Sex Remix runs at 124 BPM, a club-tempo track.
What mixes well with Walls - Guy Gerber's Office Sex Remix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Walls - Guy Gerber's Office Sex Remix good for peak time?
With energy 65 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 124 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Monkey Safari
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
