Roadkill - Dustin Zahn's Enemy Remix
30s preview
- BPM
- 124
- Open Key
- 8m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 8:01
- Released
- 2007
- Album
- Roadkill
- Genre
- Tech House
- Loudness
- -8.6 dB
- Dynamics
- 8.9 dB
- ISRC
- USYLM0802003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Roadkill - Meduza & ESSENTIA Remixremix10A · 128
- Roadkilloriginal10B · 128
- Roadkill (feat. Djekis)original8A · 120
- Roadkill - Mark Broom Remixremix12A · 128
- Roadkill - Mihalis Safras Remixremix9B · 128
- Roadkill (Maurizio & Danyelino remix)remix9B · 128
Against the original (10B at 128 BPM), this version runs 4 BPM slower and moves the key from 10B to 3A.
Roadkill - Dustin Zahn's Enemy Remix: club-tempo tech house, B♭ minor (3A), 124 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2007 production that still circulates in sets. More underground than 99% of Dubfire's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 94% of Dubfire's catalogue
- Brightness:
- darker than 83% of Dubfire's catalogue
- Low end:
- more bass-heavy than 76% of Dubfire's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Roadkill - Dustin Zahn's Enemy Remix in?
Roadkill - Dustin Zahn's Enemy Remix by Dubfire is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Roadkill - Dustin Zahn's Enemy Remix?
Roadkill - Dustin Zahn's Enemy Remix runs at 124 BPM, a club-tempo track.
What mixes well with Roadkill - Dustin Zahn's Enemy Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Roadkill - Dustin Zahn's Enemy Remix good for peak time?
With energy 65 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Dubfire
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
