San Guine by Josh Wink cover art

San Guine

Josh Wink

Key
4A · F minor
BPM
124
Open Key
9m
Energy
64/100
Pop
3/100
Length
7:23
Released
2023
Genre
Acid
Loudness
-11.2 dB
ISRC
GBDLP2301277

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

San Guine is a club-tempo acid track in F minor (4A) at 124 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Groovier than 92% of Josh Wink's catalogue. For programming, treat it as a mid-set roller.

Low end:
more bass-heavy than 81% of Josh Wink's catalogue
Tempo:
slower than 76% of Josh Wink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood37Balanced
Groove82
Acoustic0
Instrumental81
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is San Guine in?

San Guine by Josh Wink is in F minor, or 4A on the Camelot wheel.

What BPM is San Guine?

San Guine runs at 124 BPM, a club-tempo track.

What mixes well with San Guine?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is San Guine good for peak time?

With energy 64 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More acid

More from Josh Wink

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track