
Somebody's Story
30s preview
- BPM
- 124
- Open Key
- 7m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 9:09
- Released
- 2008
- Album
- Black Label #36
- Genre
- Tech House
- Loudness
- -12.2 dB
- Dynamics
- 10.8 dB
- ISRC
- DEM090800101
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Somebody's Storyoriginal2A · 124
Somebody's Story: club-tempo tech house, E♭ minor (2A), 124 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. More underground than 99% of Solomun's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 89% of Solomun's catalogue
- Brightness:
- brighter than 84% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Somebody's Story in?
Somebody's Story by Solomun is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Somebody's Story?
Somebody's Story runs at 124 BPM, a club-tempo track.
What mixes well with Somebody's Story?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Somebody's Story good for peak time?
With energy 65 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 124 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Solomun
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.