Coming Home - M-22 Remix
30s preview
- BPM
- 124
- Open Key
- 5m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 4:59
- Released
- 2015
- Album
- Coming Home (Remixes)
- Genre
- Drum N Bass
- Loudness
- -2.7 dB
- Dynamics
- 13.1 dB
- ISRC
- GBSXS1500207
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Coming Home - Parallel Remixremix11A · 93
- Coming Homeoriginal12B · 77
- Coming Home - Break Remixremix12A · 171
- Coming Home - Break Remix Dubremix11A · 171
- Coming Home - Danny Howard Dub Remixremix9A · 124
- Coming Homeoriginal12B · 85
Against the original (12B at 77 BPM), this version runs 47 BPM faster and moves the key from 12B to 12A.
At 124 BPM in D♭ minor (12A), Coming Home - M-22 Remix is a club-tempo drum n bass production. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of Sigma's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 98% of Sigma's catalogue
- Groove:
- groovier than 87% of Sigma's catalogue
- Brightness:
- brighter than 85% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Coming Home - M-22 Remix in?
Coming Home - M-22 Remix by Sigma is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Coming Home - M-22 Remix?
Coming Home - M-22 Remix runs at 124 BPM, a club-tempo track.
What mixes well with Coming Home - M-22 Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Coming Home - M-22 Remix good for peak time?
With energy 93 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.