
Superstylin' - Zero Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 5d
- Energy
- 93/100
- Pop
- 46/100
- Length
- 3:47
- Released
- 2025
- Album
- Superstylin’ (Zero Remix)
- Genre
- Drum N Bass
- Loudness
- -5.5 dB
- Dynamics
- 11.2 dB
- ISRC
- GBUM72502476
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Superstylin'original12B · 175
Against the original (12B at 175 BPM), this version runs 35 BPM slower in the same key.
At 140 BPM in E major (12B), Superstylin' - Zero Remix is a driving up-tempo drum n bass production. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 99% of Sigma's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 77% of Sigma's catalogue
- Brightness:
- brighter than 77% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Superstylin' - Zero Remix in?
Superstylin' - Zero Remix by Sigma is in E major, or 12B on the Camelot wheel.
What BPM is Superstylin' - Zero Remix?
Superstylin' - Zero Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Superstylin' - Zero Remix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Superstylin' - Zero Remix good for peak time?
With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 140 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.