We Are One
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 1/100
- Length
- 4:42
- Released
- 2012
- Genre
- Drum N Bass
- Loudness
- -4.6 dB
- Dynamics
- 14.2 dB
- ISRC
- GBCJY1200034
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Are One runs 140 BPM in B minor (10A), a driving up-tempo drum n bass record. Tonally it lands dark and driving. Vocals read as voice. The timbre leans bright. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Darker than 91% of Logistics's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 90% of Logistics's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is We Are One in?
We Are One by Logistics is in B minor, or 10A on the Camelot wheel.
What BPM is We Are One?
We Are One runs at 140 BPM, a driving up-tempo track.
What mixes well with We Are One?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is We Are One good for peak time?
With energy 90 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Logistics
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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