Flashing Lights - KillSonik Remix
- BPM
- 140
- Half-time
- 70
- Open Key
- 5d
- Energy
- 88/100
- Pop
- 5/100
- Length
- 4:41
- Released
- 2011
- Album
- Flashing Lights
- Genre
- Drum N Bass
- Loudness
- -3.7 dB
- ISRC
- GBUM71203188
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Flashing Lights - Live At Brixton Academyoriginal9A · 140
- Flashing Lights - Mac Miller Remixremix9A · 140
- Flashing Lights - Radio Editversion9A · 140
- Flashing Lights - S.P.Y. Remixremix10A · 174
- Flashing Lightsoriginal9A · 140
Against the original (9A at 140 BPM), this version holds the same tempo and moves the key from 9A to 12B.
Flashing Lights - KillSonik Remix is a driving up-tempo drum n bass track in E major (12B) at 140 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Less groove-driven than 90% of Chase & Status's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 82% of Chase & Status's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Flashing Lights - KillSonik Remix in?
Flashing Lights - KillSonik Remix by Chase & Status is in E major, or 12B on the Camelot wheel.
What BPM is Flashing Lights - KillSonik Remix?
Flashing Lights - KillSonik Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Flashing Lights - KillSonik Remix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Flashing Lights - KillSonik Remix good for peak time?
With energy 88 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 140 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Chase & Status
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![PFTD [Instrumental] by Halogenix cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/39314761a78065a1268b.webp){kind=small}
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