Early Again by Logistics cover art

Early Again

Logistics

Key
5A · C minor
BPM
140
Half-time
70
Open Key
10m
Energy
93/100
Pop
6/100
Length
4:37
Released
2012
Genre
Drum N Bass
Loudness
-3.5 dB
ISRC
GBCJY1200094

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 140 BPM in C minor (5A), Early Again is a driving up-tempo drum n bass production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The timbre leans dark. The master is loud and heavily compressed. A 2012 production that still circulates in sets. Slower than 90% of Logistics's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 79% of Logistics's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood62Balanced
Groove51
Acoustic0
Instrumental76
Live29
Speech3
darkpartyvoice

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Early Again in?

Early Again by Logistics is in C minor, or 5A on the Camelot wheel.

What BPM is Early Again?

Early Again runs at 140 BPM, a driving up-tempo track.

What mixes well with Early Again?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Early Again good for peak time?

With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 140 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Logistics

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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