The Other Side by Pendulum cover art

The Other Side

Pendulum

Key
4A · F minor
BPM
138
Open Key
9m
Energy
93/100
Pop
42/100
Length
5:16
Released
2008
Album
In Silico
Genre
Drum N Bass
Label
Warner Bros. Records
Loudness
-5.9 dB
ISRC
GBAHT0800130

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A driving up-tempo drum n bass cut, The Other Side sits in F minor (4A) at 138 BPM. A 2008 production that still circulates in sets. Brighter than 93% of Pendulum's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 86% of Pendulum's catalogue
Groove:
groovier than 79% of Pendulum's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood62Balanced
Groove57
Acoustic0
Instrumental68
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Other Side in?

The Other Side by Pendulum is in F minor, or 4A on the Camelot wheel.

What BPM is The Other Side?

The Other Side runs at 138 BPM, a driving up-tempo track.

What mixes well with The Other Side?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is The Other Side good for peak time?

With energy 93 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 138 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

More from Pendulum

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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