Supreme Entity - Ed Rush Remix by Ed Rush cover art

Supreme Entity - Ed Rush Remix

Ed Rush

Key
3A · B♭ minor
BPM
129
Open Key
8m
Energy
98/100
Pop
0/100
Length
4:33
Released
2025
Album
Supreme Entity (Ed Rush Remix)
Genre
Drum N Bass
Loudness
-1.0 dB
ISRC
NLCK42515590

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Supreme Entity - Ed Rush Remix runs 129 BPM in B♭ minor (3A), a peak-time tempo drum n bass record. It reads as dark and driving. The groove is loose and less beat-driven. The master is loud and heavily compressed. More underground than 99% of Ed Rush's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 93% of Ed Rush's catalogue
Tempo:
slower than 85% of Ed Rush's catalogue
Energy:
hotter than 75% of Ed Rush's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood25Dark
Groove40
Acoustic0
Instrumental41
Live12
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Supreme Entity - Ed Rush Remix in?

Supreme Entity - Ed Rush Remix by Ed Rush is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Supreme Entity - Ed Rush Remix?

Supreme Entity - Ed Rush Remix runs at 129 BPM, a peak-time tempo track.

What mixes well with Supreme Entity - Ed Rush Remix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Supreme Entity - Ed Rush Remix good for peak time?

With energy 98 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 129 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

More from Ed Rush

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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