Bacteria by Ed Rush cover art

Bacteria

Ed Rush

30s preview

Key
10A · B minor
BPM
170
Half-time
85
Open Key
3m
Energy
64/100
Pop
25/100
Length
6:47
Released
1999
Album
Gas Mask / Bacteria
Genre
Drum N Bass
Loudness
-12.8 dB
Dynamics
17.2 dB
ISRC
GBTKW9900052

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Bacteria runs 170 BPM in B minor (10A), a very fast drum n bass record. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 1999 production that still circulates in sets. Better known than 96% of Ed Rush's catalogue. For programming, treat it as a high-intensity peak cut.

Energy:
calmer than 95% of Ed Rush's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood48Balanced
Groove59
Acoustic0
Instrumental86
Live14
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Bacteria in?

Bacteria by Ed Rush is in B minor, or 10A on the Camelot wheel.

What BPM is Bacteria?

Bacteria runs at 170 BPM, a very fast track.

What mixes well with Bacteria?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Bacteria good for peak time?

With energy 64 out of 100 at 170 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 170 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 170 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Ed Rush

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.