August (remix)
- BPM
- 170
- Half-time
- 85
- Open Key
- 6m
- Energy
- 87/100
- Pop
- 1/100
- Length
- 6:36
- Released
- 1996
- Genre
- Drum N Bass
- Loudness
- -7.1 dB
- ISRC
- GBNZT1400026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
August (remix): very fast drum n bass, A♭ minor (1A), 170 BPM. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. A 1996 production that still circulates in sets. Brighter than 87% of Ed Rush's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 81% of Ed Rush's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is August (remix) in?
August (remix) by Ed Rush is in A♭ minor, or 1A on the Camelot wheel.
What BPM is August (remix)?
August (remix) runs at 170 BPM, a very fast track.
What mixes well with August (remix)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is August (remix) good for peak time?
With energy 87 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 170 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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