Watermelon
- BPM
- 173
- Half-time
- 87
- Open Key
- 4d
- Energy
- 77/100
- Pop
- 19/100
- Length
- 7:06
- Released
- 1999
- Album
- Watermelon / Sick Note
- Genre
- Drum N Bass
- Loudness
- -12.7 dB
- ISRC
- GBTKW9900041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Watermelon sits in A major (11B) at 173 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1999 production that still circulates in sets. Better known than 91% of Ed Rush's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- groovier than 90% of Ed Rush's catalogue
- Brightness:
- darker than 85% of Ed Rush's catalogue
- Energy:
- calmer than 84% of Ed Rush's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Watermelon in?
Watermelon by Ed Rush is in A major, or 11B on the Camelot wheel.
What BPM is Watermelon?
Watermelon runs at 173 BPM.
What mixes well with Watermelon?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Watermelon good for peak time?
With energy 77 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 173 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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