Why Are We Here?
- BPM
- 173
- Half-time
- 87
- Open Key
- 3d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 4:28
- Released
- 2015
- Genre
- Drum N Bass
- Loudness
- -5.0 dB
- ISRC
- GBCJY1500268
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Why Are We Here? - S.P.Y Remixremix10B · 173
Why Are We Here? runs 173 BPM in D major (10B), a drum n bass record. Tonally it lands dark and driving. A 2015 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Why Are We Here? in?
Why Are We Here? by London Elektricity is in D major, or 10B on the Camelot wheel.
What BPM is Why Are We Here??
Why Are We Here? runs at 173 BPM.
What mixes well with Why Are We Here??
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Why Are We Here? good for peak time?
With energy 81 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 173 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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