Tenderless - Whiney Remix
- Key
- 4A · F minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 9m
- Energy
- 87/100
- Pop
- 35/100
- Length
- 4:50
- Released
- 2016
- Album
- Are We There Yet? (The Med School Scans)
- Genre
- Drum N Bass
- Loudness
- -4.6 dB
- ISRC
- GBCJY1600160
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tenderless - Beatless Mixoriginal3B · 86
- Tenderlessoriginal3A · 173
Against the original (3B at 86 BPM), this version runs 89 BPM faster and moves the key from 3B to 4A.
At 175 BPM in F minor (4A), Tenderless - Whiney Remix is a drum n bass production. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Better known than 96% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 92% of London Elektricity's catalogue
- Brightness:
- darker than 86% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tenderless - Whiney Remix in?
Tenderless - Whiney Remix by London Elektricity is in F minor, or 4A on the Camelot wheel.
What BPM is Tenderless - Whiney Remix?
Tenderless - Whiney Remix runs at 175 BPM.
What mixes well with Tenderless - Whiney Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Tenderless - Whiney Remix good for peak time?
With energy 87 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 175 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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