Born to Synthesise by London Elektricity cover art

Born to Synthesise

London Elektricity

Key
7A · D minor
BPM
85
Double-time
170
Open Key
12m
Energy
60/100
Pop
20/100
Length
6:10
Released
2003
Genre
Drum N Bass
Loudness
-8.0 dB
ISRC
GBCJY2300412

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A downtempo drum n bass cut, Born to Synthesise sits in D minor (7A) at 85 BPM. A 2003 production that still circulates in sets. Slower than 97% of London Elektricity's catalogue.

Reach:
better known than 92% of London Elektricity's catalogue
Energy:
calmer than 86% of London Elektricity's catalogue
Brightness:
darker than 81% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood11Dark
Groove55
Acoustic1
Instrumental49
Live9
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Born to Synthesise in?

Born to Synthesise by London Elektricity is in D minor, or 7A on the Camelot wheel.

What BPM is Born to Synthesise?

Born to Synthesise runs at 85 BPM, a downtempo track.

What mixes well with Born to Synthesise?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Born to Synthesise good for peak time?

With energy 60 out of 100 at 85 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 85 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 80-90 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 85 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 85 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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