Loves Too Tight to Mention by Calibre cover art

Loves Too Tight to Mention

Calibre

30s preview

Key
6A · G minor
BPM
175
Half-time
88
Open Key
11m
Energy
58/100
Pop
8/100
Length
5:59
Released
2014
Genre
Drum N Bass
Loudness
-9.0 dB
Dynamics
17.9 dB
ISRC
GBZSD0900020

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Loves Too Tight to Mention is a drum n bass track in G minor (6A) at 175 BPM. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 18 dB). A 2014 production that still circulates in sets. More treble-tilted than 94% of Calibre's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
brighter than 81% of Calibre's catalogue
Energy:
calmer than 75% of Calibre's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood72Bright
Groove59
Acoustic0
Instrumental53
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
23%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Loves Too Tight to Mention in?

Loves Too Tight to Mention by Calibre is in G minor, or 6A on the Camelot wheel.

What BPM is Loves Too Tight to Mention?

Loves Too Tight to Mention runs at 175 BPM.

What mixes well with Loves Too Tight to Mention?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Loves Too Tight to Mention good for peak time?

With energy 58 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 175 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Calibre

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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