Sick Of It All - Original Mix
30s preview
- Key
- 7A · D minor
- BPM
- 173
- Half-time
- 87
- Open Key
- 12m
- Energy
- 69/100
- Pop
- 6/100
- Length
- 7:08
- Released
- 2013
- Album
- Spill
- Genre
- Drum N Bass
- Loudness
- -9.4 dB
- Dynamics
- 16.9 dB
- ISRC
- GBZSD1300013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sick Of It All - Original Mix is a drum n bass track in D minor (7A) at 173 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). A 2013 production that still circulates in sets. Darker than 99% of Calibre's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more treble-tilted than 95% of Calibre's catalogue
- Groove:
- less groove-driven than 93% of Calibre's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Sick Of It All - Original Mix in?
Sick Of It All - Original Mix by Calibre is in D minor, or 7A on the Camelot wheel.
What BPM is Sick Of It All - Original Mix?
Sick Of It All - Original Mix runs at 173 BPM.
What mixes well with Sick Of It All - Original Mix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Sick Of It All - Original Mix good for peak time?
With energy 69 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 173 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Calibre
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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