Swivel - Electrosoul System Remix by London Elektricity cover art

Swivel - Electrosoul System Remix

London Elektricity

30s preview

Key
12A · D♭ minor
BPM
173
Half-time
87
Open Key
5m
Energy
72/100
Pop
3/100
Length
5:25
Released
2016
Album
Are We There Yet? (The Med School Scans)
Genre
Drum N Bass
Loudness
-6.7 dB
Dynamics
11.1 dB
ISRC
GBCJY1600157

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11B at 173 BPM), this version holds the same tempo and moves the key from 11B to 12A.

Swivel - Electrosoul System Remix runs 173 BPM in D♭ minor (12A), a drum n bass record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. Groovier than 95% of London Elektricity's catalogue.

Low end:
more bass-heavy than 89% of London Elektricity's catalogue
Brightness:
brighter than 85% of London Elektricity's catalogue
Energy:
calmer than 77% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood63Balanced
Groove71
Acoustic0
Instrumental90
Live6
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Swivel - Electrosoul System Remix in?

Swivel - Electrosoul System Remix by London Elektricity is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Swivel - Electrosoul System Remix?

Swivel - Electrosoul System Remix runs at 173 BPM.

What mixes well with Swivel - Electrosoul System Remix?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Swivel - Electrosoul System Remix good for peak time?

With energy 72 out of 100 at 173 BPM, it works best as a floor-filler.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 173 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 173 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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