Crash by Optical cover art

Crash

Optical

Key
1A · A♭ minor
BPM
171
Half-time
86
Open Key
6m
Energy
75/100
Pop
0/100
Length
7:14
Released
2000
Album
Socom
Genre
Drum N Bass
Loudness
-13.9 dB
ISRC
GBTKW0000072

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Crash: drum n bass, A♭ minor (1A), 171 BPM. The feel is dark and driving. The master keeps real dynamic headroom. A 2000 production that still circulates in sets. More underground than 99% of Optical's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
groovier than 84% of Optical's catalogue
Energy:
calmer than 80% of Optical's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood29Dark
Groove69
Acoustic1
Instrumental39
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Crash in?

Crash by Optical is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Crash?

Crash runs at 171 BPM.

What mixes well with Crash?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Crash good for peak time?

With energy 75 out of 100 at 171 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 171 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 171 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Optical

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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