White Lightning by Optical cover art

White Lightning

Optical

30s preview

Key
2B · F♯ major
BPM
172
Half-time
86
Open Key
7d
Energy
93/100
Pop
7/100
Length
6:01
Released
2000
Genre
Drum N Bass
Loudness
-4.2 dB
Dynamics
14.4 dB
ISRC
GBTKW0090321

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, White Lightning sits in F♯ major (2B) at 172 BPM. The feel is punchy, neutral in mood. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2000 production that still circulates in sets. Better known than 89% of Optical's catalogue. In a set it works best as an opener or closing-set piece.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood49Balanced
Groove62
Acoustic0
Instrumental68
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is White Lightning in?

White Lightning by Optical is in F♯ major, or 2B on the Camelot wheel.

What BPM is White Lightning?

White Lightning runs at 172 BPM.

What mixes well with White Lightning?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is White Lightning good for peak time?

With energy 93 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 172 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Optical

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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