Bells in My Head (10Y rework)
30s preview
- Key
- 8B · C major
- BPM
- 173
- Half-time
- 87
- Open Key
- 1d
- Energy
- 93/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -4.2 dB
- Dynamics
- 12.9 dB
- ISRC
- GBCJY2100223
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Bells in My Head (10Y rework): drum n bass, C major (8B), 173 BPM. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of London Elektricity's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more bass-heavy than 78% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Bells in My Head (10Y rework) in?
Bells in My Head (10Y rework) by London Elektricity is in C major, or 8B on the Camelot wheel.
What BPM is Bells in My Head (10Y rework)?
Bells in My Head (10Y rework) runs at 173 BPM.
What mixes well with Bells in My Head (10Y rework)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Bells in My Head (10Y rework) good for peak time?
With energy 93 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
How to mix it
In 8B at 173 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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