The Nemesis by Optical cover art

The Nemesis

Optical

30s preview

Key
9B · G major
BPM
174
Half-time
87
Open Key
2d
Energy
95/100
Pop
0/100
Length
5:59
Released
2015
Album
No Cure
Genre
Drum N Bass
Loudness
-3.8 dB
Dynamics
10.7 dB
ISRC
GBTKW1401310

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Nemesis runs 174 BPM in G major (9B), a drum n bass record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Optical's catalogue. In a set it works best as an opener or closing-set piece.

Low end:
more bass-heavy than 97% of Optical's catalogue
Brightness:
darker than 89% of Optical's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood19Dark
Groove49
Acoustic0
Instrumental72
Live40
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is The Nemesis in?

The Nemesis by Optical is in G major, or 9B on the Camelot wheel.

What BPM is The Nemesis?

The Nemesis runs at 174 BPM.

What mixes well with The Nemesis?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is The Nemesis good for peak time?

With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 174 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Optical

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.