Castles in the Sky
- BPM
- 174
- Half-time
- 87
- Open Key
- 9d
- Energy
- 97/100
- Pop
- 53/100
- Length
- 3:13
- Released
- 2025
- Genre
- Drum N Bass
- Loudness
- -1.3 dB
- ISRC
- NLF712500340
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Castles in the Sky sits in A♭ major (4B) at 174 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. Better known than 91% of 1991's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 84% of 1991's catalogue
- Brightness:
- darker than 75% of 1991's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Castles in the Sky in?
Castles in the Sky by 1991 is in A♭ major, or 4B on the Camelot wheel.
What BPM is Castles in the Sky?
Castles in the Sky runs at 174 BPM.
What mixes well with Castles in the Sky?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Castles in the Sky good for peak time?
With energy 97 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 174 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from 1991
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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