We Are Ever Changing
- Key
- 5A · C minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 10m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 5:42
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -6.6 dB
- ISRC
- GBCJY1300185
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, We Are Ever Changing sits in C minor (5A) at 174 BPM. It reads as dark and driving. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Etherwood's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- hotter than 96% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Are Ever Changing in?
We Are Ever Changing by Etherwood is in C minor, or 5A on the Camelot wheel.
What BPM is We Are Ever Changing?
We Are Ever Changing runs at 174 BPM.
What mixes well with We Are Ever Changing?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is We Are Ever Changing good for peak time?
With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 174 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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