Nobody Else - 1991 Extended Remix
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 3/100
- Length
- 4:12
- Released
- 2019
- Album
- Nobody Else (1991 Extended Remix)
- Genre
- Drum N Bass
- Loudness
- -3.7 dB
- Dynamics
- 11.4 dB
- ISRC
- GBKCF1900760
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nobody Else - 1991 Remixremix3B · 174
Nobody Else - 1991 Extended Remix runs 174 BPM in D♭ major (3B), a drum n bass record. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 84% of 1991's catalogue. For programming, treat it as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Nobody Else - 1991 Extended Remix in?
Nobody Else - 1991 Extended Remix by 1991 is in D♭ major, or 3B on the Camelot wheel.
What BPM is Nobody Else - 1991 Extended Remix?
Nobody Else - 1991 Extended Remix runs at 174 BPM.
What mixes well with Nobody Else - 1991 Extended Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Nobody Else - 1991 Extended Remix good for peak time?
With energy 94 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 174 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from 1991
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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