We All Need Someone
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 11d
- Energy
- 94/100
- Pop
- 28/100
- Length
- 3:55
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -3.4 dB
- Dynamics
- 17.1 dB
- ISRC
- GB2LD2210109
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 174 BPM in B♭ major (6B), We All Need Someone is a drum n bass production. The feel is dark and driving. The groove is loose and less beat-driven. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). Less groove-driven than 98% of 1991's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- darker than 96% of 1991's catalogue
- Low end:
- more bass-heavy than 90% of 1991's catalogue
- Tempo:
- slower than 84% of 1991's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is We All Need Someone in?
We All Need Someone by 1991 is in B♭ major, or 6B on the Camelot wheel.
What BPM is We All Need Someone?
We All Need Someone runs at 174 BPM.
What mixes well with We All Need Someone?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is We All Need Someone good for peak time?
With energy 94 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 174 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from 1991
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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